Saturday, 21 November 2009
Thursday, 19 November 2009
On first setting eyes on Edward Bella asks the question ‘Who’s he?’, from that moment we also want to know the answer. Hardwicke uses a close-up of Bella’s face, as the music becomes a lot more intense when Edward walks into the room. The tension builds as there is a mid-shot of Edward’s pale yet perfect body, then there is a tracking shot of Edward’s face to see every reaction possible. We’re not given a moment to rest and there is a gently released close-up on each of their faces. It’s a good job they’re pretty with all these close-ups…
The couple are also placed in a lot of dimly lit situations, which are normally quite romantic; as in the restaurant or on the stand filled with fairy lights at the prom. It creates an idealistic view that every girl wants – to be wined and dined by a mysterious, romantic man (well, vampire…). There is a particular scene which is completely captivating, the famous first kiss scene in Bella’s bedroom. The camera remains static on a close-up two shot of both their faces. They gradually begin to get closer, and without any music to distract you from the situation you’re only focused around the action about to take place. When their lips finally meet it is passionate and exciting. But suddenly we’re taken away from it by Edward flying backwards. It basically just leaves you wanting more.
The banter between the two is great. ‘Your mood swings are kinda giving me whiplash’ or ‘so the lion fell in love with the lamb’ are just two of the great quotes this film has created. And with the passionate tone apparently continuing through the second installment, we’re bound to be quoting this film for another year until we’re given Eclipse, the penultimate movie in the series.